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Dumbo (2019) Full Movie Free Download & Online Stream


Dumbo Movie INFO

Release Date:
Rating: 6.8
Directed by
Tim Burton
Written by
Helen Aberson, Ehren Kruger
English, Deutsch, Français, Pусский, Український, Português, עִבְרִית, български език, svenska, ελληνικά, Español, Italiano, Português, Türkçe, Slovenčina, Dansk, Magyar, ozbek, Český, Español, 한국어/조선말, Srpski, Nederlands, Lietuvių, 普通话, 普通话, Polski, Français, ქართული
Colin Farrell, Michael Keaton, Danny DeVito, Eva Green, Finley Hobbins, Nico Parker, Alan Arkin, Sandy Martin, Joseph Gatt, Deobia Oparei, Kamil Lemieszewski, Sharon Rooney, Douglas Reith, Roshan Seth, Lampros Kalfuntzos, Lars Eidinger, Tom Seekings, Heather Rome, Scott Haney, Erick Hayden, Greg Canestrari, Chris Rogers
Production company
Tim Burton Productions, Walt Disney Pictures, Moving Picture Company

Dumbo(2019) Full Movie : A real interest in Dumbo’s contemporary reinterpretation of Dumbo is that of watching a little awakening of Tim Burton’s best.

Finally, it’s always good when we have absolutely nothing to expect from a movie … This version “filmed” (if we dare to say because a big part of the film is obviously the result of a big work of CGI ) of classic Disney classics, Dumbo really did not have a priori for her. First, and perhaps most importantly, the 1941 cartoon is probably Daddy Walt Disney’sgreatest achievement , with his immortal Snow White , and redoing this monument of grace and emotion was purely suicidal: just remember the wonderful declaration of love to the film made by Spielberg in his 1941 film to realize how Dumbois a touchstone of American popular cinema! Aggravating circumstance, there is not much to save in our opinion of any of the recent modern adaptations of the Disney “movie wallet” (to speak as Marketing men who have clearly decided this stuff for a long time ). And icing on the cake, if we dare say, our ex-boyfriend Tim Burton , great believer of the studio since his first student job, is at the maneuver, after what seems an endless string of failed movies.

Except that, since nothing is ever simple in the world of cinema, past a period of adaptation to the distressing ugliness of computer-generated images, the adult spectator (or more or less) who would not have already entrenched himself in his A priori “perfectly sensible about the stereotyped and predictable scenarios of the Disney house and the devastating dominance of the decor in relation to the characters, may feel reborn in him a small flame of hope. Undoubtedly, something of Tim Burton’s heart seems to be beating again behind the big machine that was thoughtlessly soulless. A beautiful character, the one interpreted by the yet irregular Colin Farrell, whose awkwardness here pays its dividends, and one begins to believe in this little world of left-behind poorly surviving in a universe that has already decided that it no longer wanted them … be the bottom of fundamental trade of the eternal Tim Burton , the one who speaks to our child’s soul constantly fearing to be abandoned rather than to the geek addicted to the gothico-steampunk imagery that he has too caressed in the direction of the hair in his worst movies.

And while the script quickly scans the original scenario of the cartoon, with some excess fan service (the appearance of storks while our offspring clearly no longer need this kind of lies, as we will later be entitled to pink elephants without drunkenness, since we can not give champagne to a child …), and that the viewer gets used to the creature in CGI which he already knows will never upset him as much as the original sketched , the film goes to serious things. Probably the main reason for this project for Burtonthe staging of a capitulation of the artists to the great capitalistic spectacle devouring children and mothers, and then, logically, because we must not despair the children, to the possibility of a rebellion against “the Machine “. And there, surprise, surprise, Burton finds his artistic gesture, chiades his characters by giving them the opportunity to evolve and to be different from what was supposed, creates graphically bold and sometimes even striking situations, caress the ambiguity in the good sense of the hair by happily returning some clichés. Yes, miracle, Burton is doing Cinema again.

Of course, the benevolence of the Disney house has its limits, and the purely “Burtonian” conclusion showing the survival of “the small company that does not know the crisis”, and the real freaks that are always more human than the men of business, we must add a horrifying (and hypocritical) happy end showing elephants playing in a tropical paradise. But it will not be enough to spoil the film, which marks an unexpected return – even if it is still “dotted” in the form of a Tim Burton that had been lost forever.

2 8/ 10stars
Rating: IMDB  / 6.8


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